there is a lot of thought that went into abstract expressionist paintings. it was revolutionary at the when we started to see abstraction in the turn of the 20th Century. the whole concept of what constitutes painting and its true purpose in the dawn of industrialism was an interesting dilemma at best. with the advent of photography in circa. 1860's worlds fair the whole dialectics around painting changed. how to capture the drama of the soul. that started to be the main focus of painting. when people started to talk about how painting was purely about surface, line, and colour. (i recommend reading clive bell who beautifully sums up the notion of significant form) it was a time when making an abstract painting became a vehicle for social change. it was the first time art became completely democratic. abstraction was the new language that anyone from any class or any country would be able to relate. the emotional response was to come from the actual effects of significant form itself. not the artist or the subject manner, which was completely irrelevant. because painting was just paint on a flat plain.
wether or not it was successful is rather a completely different discussion or wether or not you can engage or connect with these painting is another matter all together.
but if you were alive given the social climate of the day and age and would you make a painting like that? i very much doubt you would. nobody did. thats why they were revolutionary and dangerous. they were a rebellion form the masters and ecole de beaux art and salon system. the idea behind abstract paintings---, cubism, de stijl, constructivism, conceptual art, and abstract expressionism and other modernist abstracted movements i haven't named off the top of my head were politically dangerous. one of the most important art shows showing off the modernist movement would have been hitler's "degenerate art show" i would DIE to see that show. the work that was in it. OMFG. it was oddly enough the most well attended agit-prop show the fascists put on.
i would love to have a discussion on art, but i wont sit by and read a thread of people just trashing abstract art or the modernist movement. they were full of ideas and intent that are very complex and sophisticated. a 2 year old would never be able to create them.
also keep in mind that nieve art isn't the same as abstracted work.
i can tell by the materials used and the control in the painted brush work that this is NOT the work of a child.
oil paints can be dangerously toxic and no responsible parent would give them to a child that would paint something a long these lines.
secondly there is remarkable control in how the artist applied paint to the page.
i can see why one may not connect or engage with this piece. i most certainly don't particularly like it. but i can certainly appreciate what it stands for given the 20 seconds i would give it in a gallery space. (they timed that you know, the average time someone spends with a work of art in a gallery space is 30 seconds) when you engage with a work you would obviously spend more time with it. rothco is an excellent case in point. when i saw his red and orange painting i sat in front of it for probably half an hour and cried.
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